The first time Khan shows her powers was critical to balance correctly. The graphic montage in episode one was 14 layers of comp tracks and graphics overlays, and while it required careful navigation while grading all the layers, it really paid off having the flexibility in the final stages of DI.” Setting the toneĪn early scene set at AvengerCon combined massive VFX with colorful art direction. “All the split screens and graphic overlays were comped in Resolve for full flexibility. “We built as much as possible in Resolve,” added Watson.

We really leaned on Resolve’s compositing capabilities for this project.” We used Resolve to do many of the comps in the live grade to allow this. “We needed to preserve the ability to control the underlying plate color without adversely affecting the graphics. “We worked closely with Sandra and her team to design a workflow that would allow for tight integration between the vendors supplying the graphics and DI,” said Jacobs. Working with Visual Effects Supervisor Sandra Balej, Watson and Jacobs helped create a dynamic yet grounded look to the show and to Ms Marvel’s powers (Iman Vellani playing Kamala Khan, a Muslim American teenager growing up in Jersey City, NJ). “As soon as VFX has early ideas that they want to play with, we bring them into DI to see how they will work and how we can help the plate photography and VFX work well together.” “Here at Marvel, we spend a lot of time with the VFX teams, starting as early as possible during post production,” said Watson.

“We really pushed the look of the show to be very unique within the MCU, and we’re so proud of the final result.”Ĭolorist Matt Watson engaged with VFX in DaVinci Resolve Studio early on.

Marvel’ really wanted to lean into the use of saturated vibrant color,” said Jacobs. With a goal to create a unique look for the new show, Marvel Creative Finishing Supervisor, Evan Jacobs, worked with the filmmakers on the colorful style. Marvel has been one of the better of the recent small screen MCU offerings and definitely does good things when it comes to the overall diversity of the MCU in general. Blackmagic Design has been detailing how the latest MCU series on Disney+, Ms Marvel, was graded and finished in DaVinci Resolve Studio.

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